At first glance, Westworld is just another show about robots run amok. If you look a little closer, though, you find all kinds of other philosophical questions in play, and you find them being explored with impressive seriousness and subtlety. At the level of philosophical reflection, this is golden-age television at its very best.
The Twilight Zone aired its last episode in 1964. The show's most prevalent themes distill to the following: "'you are not what you took yourself to be,' 'you are not where you thought you were,' and 'beneath the façade of mundane American society lurks a cavalcade of monsters, clones, and robots.'”
A lot of the popular culture we consume these days is produced and distributed by large studios and record companies. Should that worry us? Are doomed to mediocre music, television, and film? Or even worse: are we doomed to songs, shows, and movies that secretly serve a hegemonic propaganda machine?
The Good Place, a hit TV show, begins with a woman named Eleanor who wakes up in the afterlife. Eleanor learns that she has landed in "The Good Place," even though she knows that she should have landed in the other place. Chidi, a professor of moral philosophy whom Eleanor confides in, decides to teach her to be good.
The Simpsons may not seem like a legitimate source for philosophical discourse and ideas. But the University of Glasgow just launched a successful one-day course entitled "D'oh! The Simpsons Introduce Philosophy" as an introduction to the world's most eminent philosophical thinkers.