Think about the art you’ve enjoyed in your life: the novels, the television, the music, the poetry, the sculpture, the paintings—the list goes on. Now try to imagine a scenario in which none of this art had ever been made. What would we lose in a world like this?
Can comic books reveal deep truths about human nature? What can Marvel’s Miracleman teach us about metaphysics? Should we be learning about ethics from Batman and Superman? On this week’s show, we’ll be talking with Nathaniel Goldberg about what philosophers can learn from superhero comics.
Not too long ago, I had a Twitter exchange with Philosophy Talk’s Josh Landy about whether Freud was a good philosopher. It struck me that I’ve never given much thought to the question of what good philosophy is. Is it just a matter of taste? Or are there guidelines for separating the wheat from the chaff?
One Sunday in the spring of 2007, John and I walked into the back room of KALW to find Ken singing. Back then I was both Ken’s PhD student and the director of research for Philosophy Talk, so it was always a treat to catch my advisor and boss being playful. He was coming up with different lyrics for Sinatra’s classic “Love and Marriage.”
If you could snap your fingers and all your tastes and preferences would change overnight, would you do it? In my last post, I considered two kinds of answer to this question, but neither seemed satisfying, because neither gave us any reason not to make the change.