Judas and the Black Messiah tells the story of the FBI murder of Black Panther Fred Hampton, aided by informant William O’Neal. The film bears its theme in the title: betrayal. But what exactly is betrayal? And what is its relation to trust, loyalty, and promises?
The Mole Agent is a charming documentary about a private investigator hired to find out whether elder abuse is happening at a nursing home in Chile. At the heart of the film is a deception, which raises questions about trust beyond the question whether lies can ever be justified by good intentions.
As I’ve struggled to find a film to write about, I thought I’d write about a feature of Covid that is particularly philosophically relevant: you can be infected but be asymptomatic. So you must make decisions under uncertainty, not knowing whether you are sick or contagious—victim or vector.
Are you eager for quarantine to be over but apprehensive about what the future might bring? For a dose of optimism, reflections on freedom, and a very good film, check out Crip Camp: a Disability Revolution. I was lucky to see it at this year's Sundance Film Festival, where it won the Audience Award.
A documentary film has never won the Philosophy Talk Dionysus Award for Most Philosophical Film of the Year. But documentaries often raise complex philosophical issues and get us to question our assumptions. This year’s Oscar nominees for Best Documentary are no exception.