The Mole Agent is a charming documentary about a private investigator hired to find out whether elder abuse is happening at a nursing home in Chile. At the heart of the film is a deception, which raises questions about trust beyond the question whether lies can ever be justified by good intentions.
Are you eager for quarantine to be over but apprehensive about what the future might bring? For a dose of optimism, reflections on freedom, and a very good film, check out Crip Camp: a Disability Revolution. I was lucky to see it at this year's Sundance Film Festival, where it won the Audience Award.
For me—as for the good people at the Oscars—Parasite was far and away the best film of 2019. Critics, however, are eagerly denouncing it as a failure, a capitulation, a “conservative” film, indeed a movie full of “contempt” for the working class. What is going on?
A documentary film has never won the Philosophy Talk Dionysus Award for Most Philosophical Film of the Year. But documentaries often raise complex philosophical issues and get us to question our assumptions. This year’s Oscar nominees for Best Documentary are no exception.
Parasite, the new critically-acclaimed film by the South Korean director Bong Joon-ho, challenges audiences to probe social parasitism amidst growing inequality in a largely affluent country. Who exactly are the parasites? And what makes them parasites?